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Jacob at the River Jabbok

For Sunday July 31, 2005

           Lectionary Readings (Revised Common Lectionary, Year A)
           Genesis 32:22–31 or Isaiah 55:1–5
           Psalm 17:1–7, 15 or Psalm 145:8–9, 14–21
           Romans 9:1–5
           Matthew 14:13–21

Jacob Wrestles the Angel, oil, by Mel Pekarsky.
Jacob Wrestles the Angel, oil,
by Mel Pekarsky.

           Jacob was a man on the run.

           Deep-seated family hostilities characterized Jacob's entire life. Because his parents Isaac and Rebekkah played favorites, he and his fraternal twin Esau grew up hating each other. Jacob had also swindled Esau of his family birthright, which entitled him to a double share of the family inheritance. Later, he and Rebekkah lied and connived to swindle the family blessing from the blind and dying Isaac. When Esau threatened to murder him, Jacob fled to his uncle Laban in Haran, the very place his grandfather Abraham had departed. Jacob married his cousins Rachel and Leah, and eventually fathered thirteen children with them and their two slaves Zilpah and Bilhah.

           Sick of his father-in-law's manipulations, Jacob fled Laban, only to encounter his long lost and embittered brother Esau. The consummate deal-maker, Jacob concocted a bribe and sent a caravan of gifts along with his women and children across the river Jabbok. Perhaps that would pacify his brother's murderous threats? Physically exhausted and deeply anxious about Esau, alone in the isolated wilderness, shorn of all his considerable worldly possessions, at long last powerless to control his fate, Jacob collapsed into a deep sleep on the banks of the Jabbok River. With Laban behind him and Esau before him, he was too spent to struggle any longer.

Jacob and the Angel, Serigraph,1965, by Shraga Weil.
Jacob and the Angel, Serigraph,1965, by Shraga Weil.

           Only then did his real struggle begin. Fleeing his family history had been bad enough; wrestling with God Himself was a different matter altogether. That long, lonesome night an angelic stranger visited Jacob. They wrestled throughout the night hours until daybreak, at which point the stranger crippled Jacob with a blow to his hip that disabled him with a limp for the rest of his life. By then Jacob knew what had happened, declaring, "I saw God face to face, and yet my life was spared" (Genesis 32:30). In the process, Jacob the Deceiver, for such is the meaning of "Jacob," received a new name, Israel, which likely means "He struggles with God." Most important and unlikely of all, at the conclusion of that riverbank struggle, we read that God "blessed him there" (Genesis 32:29).

           In our culture at large and in our churches too, the myths of Superwoman and Superman live large. Columnist David Brooks of the New York Times describes this as the "Achievatron" in his recent book On Paradise Drive. We celebrate wealth, power, strength, bravado, confidence, prestige and victory, beginning with Little League baseball for our kids and continuing right on through to their SAT scores, college admissions, first job, and first address. We abhor and even fear weakness, failure, struggle, and doubt. Even though we know that a measure of vulnerability, fear, discouragement and depression accompany most normal lives, we construe these as signs of failure or even a lack of faith. In real life, naïve optimism and the rosy rhetoric about the Achievatron are a recipe for disappointment and discouragement, for sooner or later reality catches up with most of us.

Jacob Wrestles With an Angel, terracotta with bronze patina, by Scott Sullivan.
Jacob Wrestles With an Angel,
terracotta with bronze patina,
by Scott Sullivan.

           The Jacob narrative jerks us back to reality. Frederick Buechner characterizes Jacob's divine encounter at Jabbok as the "magnificent defeat of the human soul at the hands of God." Similarly, for her book Scarred By Struggle, Transformed By Hope, the Benedictine nun and writer Joan Chittister uses the Jacob story as a paradigm for a "spirituality of struggle." In Jacob's story she identifies eight elements of the human struggle—change, isolation, darkness, fear, powerlessness, vulnerability, exhaustion, and scarring. Did not Paul himself describe being "harassed at every turn—conflicts without, fears within" (2 Corinthians 7:5)? But God does not leave us there, says Chittister, and in each human struggle there is a corresponding divine gift available to us—conversion, independence, faith, courage, surrender, limitations, endurance, and transformation. "Jacob does what all of us must do," writes Chittister, "if, in the end, we too are to become true. He confronts in himself the things that are wounding him, admits his limitations, accepts his situation, rejoins the world, and moves on."

           The end result of the nocturnal struggle for this cheater and liar was God's blessing: "God blessed Jacob there" (32:29). When you read further in Jacob's story these twin themes of dark struggles accompanied by divine blessing continue to be intertwined. His daughter Dinah was raped. Two of his sons, Reuben and Judah, committed incest. As if to mimic his own parents who favored him over his twin brother Esau, Jacob played favorites with his own son Joseph, sewing seeds of fraternal enmity for all. And yet, God renewed the covenant with him. "God appeared to him again and blessed him" (35:9). Late in life he reminisced, "God almighty appeared to me at Luz in the land of Canaan, and there He blessed me" (48:3).

Jacob Wrestles the Angel, by Paul Gauguin, 1888.
Jacob Wrestles the Angel, by Paul Gauguin, 1888.

           Contrary to cultural assumptions about the Achievatron, the human struggle is never easy, and certainly not the struggle with God Himself. But the struggle is never devoid of divine presence and blessing. In The Lion, the Witch, and the Wardrobe, CS Lewis reminds us that the divine-human struggle is neither tidy nor tame, but it is still one we can live with confidence. Susan and Lucy ask Mr. and Mrs. Beaver to describe Aslan (Lewis's representation of Jesus). They ask if Aslan is a man. Mr. Beaver replies.

"Aslan a man? Certainly not. I tell you he is the King of the wood and the son of the great Emperor-beyond-the Sea. Don't you know who is the King of Beasts? Aslan is a lion—the Lion, the great Lion."

"Ooh!" said Susan. "I'd thought he was a man. Is he—quite safe? I shall feel rather nervous about meeting a lion."

"That you will, dearie, and make no mistake," said Mrs. Beaver, "if there's anyone who can appear before Aslan without their knees knocking, they're either braver than most or else just silly."

"Then he isn't safe?" said Lucy.

"Safe?" said Mr. Beaver. "Don't you hear what Mrs. Beaver tells you? Who said anything about being safe? 'Course he isn't safe. But he's good. He's the King, I tell you."

Jacob's struggle at Jabbok reminds us of this truth, that God is so very good, but He is not safe. We may well struggle with Him through the night, but by daybreak He only intends to bless us.



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